【Greg Osby - Nine Levels】(2008)

(English follows Japanese)

 

My Favorite Album (409)

 
Greg Osby - Nine Levels(2008)



By Takaaki Kondo, Tokyo Jazz Review



http://tokyo-jazz-review.jimdo.com/2014/08/01/greg-osby-nine-levels-2008


https://www.facebook.com/tokyo.jazz.review




Rating


  • Musical Performance   ★★★★☆
  • Songs/Compositions     ★★★★☆
  • Arrangement                ★★★★
  • Sound Quality              ★★★★☆
  • Overall Enjoyment      ★★★★☆

 

  

M-BASE一派のアルト奏者として名を馳せ、近年は自己のアルバムの他、菊地雅章とのKO ProjectPaul Motian Trio 2000+Twoへの参加など、ますます充実した活動をみせるGreg Osbyグレッグ・オズビー)。本作はOsby本人のレーベルであるinner circle musicよりリリースされた作品です。

 


日本でもアルバムを2枚発表しているAdam Birnbaum (p)を筆頭に、NYブルックリンで活躍中の若手ミュージシャンを集めたSextetOsby独特の艶やかでスリリングなアルトはそのままに、ヴォイス・パフォーマーSara Serpaの透明感あふれる歌声や、まさに今のブルックリンを体現するかの如きNir Felderのギターがサウンド全体に奥行きを与え、躍動するリズムとも相まって、複雑でありながらも難解にはならない、現代性溢れる「知的で熱い」素晴らしい作品です。


いかにもM-BASE的な、一聴すると取っ付きにくい難解な曲が並んでいるのですが、そのサウンドに身を委ねていると、心地良い事この上なし。


Opener
からアルトとヴォイスのテーマ・ユニゾンがバッチリと決まっているのが気持ちよく、オズビーとギターの掛け合いで静かに白熱します。

Adam Birnbaum速弾きをしているわけではないのにアグレシッブでクリエイティヴなソロが素晴らしくカッコイイ。Nir Felderのギターもウネウネと難解でカッコイイ 

(今、「ナンカッコイイ」という言葉を発明しました©Takaaki Kondo - 笑)


Osby
は超「ナンカッコイイ」フレーズを吹き倒していますが、Voice (音色)がとてもWarmなのでキツクない。心地良い。またM3で聴くことができる(珍しい)彼のSoprano Saxも非常に良い。TraditionalJazzもちゃんと研究して演奏できる、そんな「土台」があるから斬新でもどこかRelaxして、安心して身を委ねることができる「Straight Ahead Jazz」になっています。


楽曲群も「ナンカッコイイ」ので爽快です。

楽曲も編曲も演奏も、実に丁寧に練り上げられているので、何回聴いても聴き飽きないですね。

緩(ゆる)りと身を委ねるも良し。スピーカーと対峙してガッツリと聴くのも良し。

Osby
の太くてWarmSaxを初めとする各楽器を「あるがままに」「自然に」「きちん」と捉えて、それをバランス良くミックスしている録音も最高です。


Highly Recommended!


 Personell

Greg Osby (alto and soprano saxophones)

Sara Serpa (voice)

Adam Birnbaum (piano)

Nir Felder (guitar)

Joseph Lepore (bass)

Hamir Atwal (drums) 


  Track Listing

1. Principle

2. Tolerance

3. Humility

4. Truth

5. Less Tension Please

6. Resilience

7. Two of One (Carsten Daerr)

8. Innocence

9. Optimism

Recorded April 14-15, 2008 in NY

 


  Greg Osby - Website


 Official Website


http://www.innercirclemusic.com

 

http://www.gregosby.com


Facebook


https://www.facebook.com/pages/Greg-Osby/139119108286


https://www.facebook.com/greg.osby.7



 iTunes

 

https://itunes.apple.com/us/album/nine-levels/id300083066


 

 Amazon (MP3)

 

http://www.amazon.co.jp/Nine-Levels-Greg-Osby/dp/B003KSVWRY/ref=mb_oe_o?tag=chrome00-22


 

 BUY CD (HMV)

 

http://www.hmv.co.jp/artist_Greg-Osby_000000000000954/item_9-Levels_2791710



 Video


Greg Osby [Nine Levels] - 5 - Less Tension Please.wmv



https://www.youtube.com/watch?v=leRFJawu01M




 Review

 

Greg Osby: 9 LevelsAfter ending a sixteen year tenure with Blue Note Records, leaving his signature as one of the most forward thinking, outspoken, and at times misunderstood artists in contemporary jazz, saxophonist/composer Greg Osby returns with 9 Levels, the first release on his new Inner Circle Music label.

 

The music which is based upon Osby's perspective on the Zen like principles of "The 9 Levels of Humanity," personifies the artist: geometric time signatures, hip modernistic imprints, blues and bop touches and some new surprises, delivered with the usual high level of musicianship. The sharp movements of Osby's horn and music are intact but the recording speaks of a freshness that is free from the constraints of normal conventions and is articulated by a new band of rising artists who are poised to leave their own marks.

 

Osby has many times surrounded himself and nurtured emerging talent (pianist Jason Moran, drummer Rodney Green, singer Joan Osborne, to name a few) and this new group of bright leaders is no exception.

 

Joseph Lepore (bass) and Hamir Atwal (drums) create the robust rhythm section that admirably handles the labyrinthine changes and deep grooves in "Principle" or the swing bop backbone in "Truth." Dual-chorded ensembles can be tricky at times but here, Adam Birnbaum (piano) and Nir Felder (guitar) deliver the goods with great aplomb by comping, soloing, and filling in the creative gaps with total ease.

 

The sextet's sixth element is found in the unique vocals of singer Sara Serpa from Lisboa, Portugal. Her voice a finely tuned instrument, serious scattin' on "Truth," choral phrases on "Humility" or wordless touches like a painter's brushstrokes on canvass on the lovely abstract piece "Tolerance."

 

Continued surprises are found in two non-Osby pieces, "Less Tension Please" and "Two of One." The former has a mix of European classic-like overtones and where each band member contributes beautifully; the later with rustic sounds of Felder's slide guitar and Serpa's soothing lyrics.

 

The complexity of Osby is found in his music—searching, trying new things, and fighting conformity. Even within individual compositions there is constant flux as heard in the stunning works "Innocence" and "Optimism"(which also contains a nice hidden track). Similar to any art-form, some will or will not appreciate or comprehend it. But for Osby fans and those seeking more than just the usual, 9 Levels is a welcome return of a conceptualist who is in constant pursuit of new ideas. By MARK F. TURNER